Based around a field recording of a group of black convicts in 1934 made by John and Alan Lomax found in the Dutch Radio Archives. We treated the vocal track and recorded all the instruments.

“It’s a long John”: Traditional African-American Work Songs

Spirituals and work songs, rooted in both the slavery era and the West African societies from which most African-American slaves were originally taken, provided cultural sustenance to African Americans in the midst of intense racial oppression. They first came to be valued by northern white audiences in the late-19th century. Later, folklorists began collecting (and eventually recording) traditional southern music. John and Alan Lomax recorded southern musicians (African-American, white, and Mexican-American) for the Library of Congress. They recorded “Long John,” a work song, sung by a man identified as “Lightning” and a group of his fellow black convicts at Darrington State Prison Farm in Texas in 1934. Black prisoners working in gangs to break rocks and clear swamps relied on the repeated rhythms and chants of work songs (originating in the forced gang labor of slavery) to set the pace for their collective labor. “Long John” mixed religious and secular concerns, including the notion of successful escape from bondage, a deeply felt desire of both slaves and prisoners.